[yathish]

Why Do Hindu Deities have so many Arms?

Image worship crept almost imperceptibly into Indian religions and was not only finally sanctioned in the religious scriptures but the images themselves, and the rituals for their worship was also described in greater detail. One of the results of this process, more especially the merging of two or more deities, was that some of the gods were shown as having several qualities. The visual problem that this created for the sculptor or artist when he made images of the gods was solved by showing them with several arms. Each hand would hold some object which would symbolize or represent the various qualities of that particular deity. Some of the hands would be empty but the position of the fingers and the palms would signify the character of that god. For example, if the fingers are pointing towards the ground, it means that the god is of a charitable disposition whereas

the fingers pointing upwards, as in a blessing, signify a protector (see illustration). These gestures (mudras) symbolized their individual powers and differentiated them from other deities.

Worship
Hindu worship (puja) is not congregational, except in sects which put great emphasis on devotion (bhakti). In the temple, the devotee may be present at fixed ceremonies or he may employ a priest to carry out a ritual for him, or summon the god’s attention on his own. Puja varies with the size of the sect, the size of the temple etc. Domestic worship varies in accordance with the individual needs. A rich household may employ a full time priest while others may invite one to perform ceremonies on special occasions. A busy person may restrict himself to a prayer in the morning or in the evening, and may make an occasional visit to a large temple on important festivals.
In a temple normal religious observances are performed throughout the day: waking the deity in the morning and the bathing, feeding and putting to rest at night. When entering the temple the devotee rings a bell which is suspended from the ceiling at the entrance. This is done in order to shut out external sounds and to enable the devotee to make the mind go inward and get concentrated. It also indicates the presence of the devotee in front of god. Lights are waved before the deity denoting that the Lord is “all light” and also as a mark of respect conveying the devotee’s reverence. Incense is lighted to denote that the Lord is all-pervasive. The incense acts as a disinfectant also. The burning of camphor denotes that the ego should melt like it and the individual soul should become one with the Supreme. The devotee offers sweets, rice, fruit, etc., to the Lord. These are then distributed among the members of the household or the devotees present at the temple. This is called prasad. The priest puts a red or yellow paste on the forehead of the devotee. This is called tilak and is applied on the forehead between the eyebrows at a point called the ‘ajna chakra’, indicating where the third or the spiritual eye is. This is not to be confused with the bindi mark which Indian ladies put on the forehead which is decorative or to indicate their marital status.
Circumambulation around the idol is done after the prayers. The idol is supposed to generate a halo the advantage of which can be taken on going around it in the clockwise direction. Worship is of two kinds. The first is saguna, in which the worshipper uses a concrete symbol or idol which helps him to concentrate more easily. The second is nirguna which is a higher step in which concentration is done on the Absolute by drawing the mind inward, without the help of any physical symbol to fix the mind on. In Hindu worship it is not compulsory to go to a temple. One can meditate on the Absolute anywhere.

[AjayKumar.Kataram]

Good one....